Immortal | Battles In the North

Rain today. Starting a story with the weather in generally a terrible idea, but this is not a story, it’s a record review. There’s no rules for record reviews. People don’t even read them most of the time. So you see there is no problem.

I think if you don’t like Immortal you don’t really like Black Metal. Maybe you like Mayhem better or Emperor or Darkthrone, I’ll give you that, but most of that stuff that is ambient and folky is not even Metal. It’s ok to not like Metal, I guess. It’s like if you only have the Rick Rubin Johnny Cash albums, you probably don’t really like country music. It’s fine. Or if the only rap albums you have are by Eminem and the Beastie Boys. Wait, then you are a racist, that’s not fine. I’m getting off track.

Two standout features of this album are the chaotic drumming and abrupt cutoffs of the songs. The drumming I love. Plenty of classic metal albums are pretty off the grid, but this was a new style at the time where the guitars and drums often are not at all locked together. The first reaction to this is that it’s humorously terrible, like the group’s appearance. But I got into it. I’m into their whole thing. Some people get into Black Metal and find themselves apologizing for Nazis and murderers—I like the getups, man. I’m taking my stand and that’s that. I’m thinking the ends of the songs sounded a lot better on tape back in the day, with the songs plopping nicely into a pillow of hiss. But as pristine digital files, it sounds broken, like the download transfer got cut off. Most of the lyrics are incomprehensible except for the title of the song, which is great, especially when you’ve got great song titles. One notable exception is the end of Moonrise Fields of Sorrow:

give unto meeee never-ending snowfallll

Yeah man, bring it on. I can deal with this nonsense forever. I just need the soundtrack and I’m good. It used to be more of a metaphor, seemingly endless precipitation merely a stand-in for a long period of depression. But despite many rational reasons, I have not been depressed lately, and merely have to contend with the 3-dimensional horrors of physical reality. Cursed Realms of the Winterdemons, if you will. No big deal. Seasons change, and with them new horrors. That’s maybe a little dramatic. I’m outside for part of the day every single day because it’s what you have to deal with dogs and that’s just what you have to do. Not really my choice, but I’m not getting my bike out anymore, so it’s good to have a reason to get out in the weather everyday. People around here seem to only go outside on purpose when it hits room temperature, and most are dumbfounded by a hello. Far grimmer than I. Anywho, I have taken great inspiration from the Black Metal Demonlords to think of extremity and discomfort in weather akin to the same in music: something to perhaps revel in and get into.

And it’s over in 36 minutes. Perfect. If I want more I put it on repeat but I try not to stay out that long. %

$5 on Amazon mp3, or get the used CD/vinyl for 50?

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Top 10 90s K-pop on YouTube

  1. Seo Taiji & Boys (서태지와 아이들) | 필승 (PilSeung “Victory”)

  2. UP | 뿌요뿌요 (Puyo Puyo)

  3. 비비 (B.B.) | 하늘땅 별땅 (Haneulttang Byeolttang “Skyground Starground”)

  4. Young Turks Club (영턱스클럽) | 질투 (Jil Too “Jealousy”)

  5. Park Jin-Young (JYP) | She Was Pretty

  6. Seo Taiji & Boys (서태지와 아이들) | 하여가 (Hayuga)

  7. Seo Taiji & Boys (서태지와 아이들) | 난 알아요 (Nan Arayo “I Know”)

  8. Seo Taiji & Boys (서태지와 아이들) | FREESTYLE feat. Kim Kong Seo

  9. Roo’Ra | 날개잃은 천사 (The Angel Who Lost Wings)

  10. 터보 (Turbo) | Only Seventeen

    (Lemonheads sample, so puzzling.)

Honorable mentions:

  • Roo’Ra | Koreana In New York

    (Yeah, it’s a Sting cover)

  • Seo Taiji & Boys (서태지와 아이들) | Come Back Home

    (Kinda has to be mentioned, but it’s not that great a song…so many whys.)

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Minimoni. | Okashi Tsukette Okkasui~! [Make the Sweets Strangely Sweet]

Sweets! Sweets!
There’s some sweets
Let’s have fun making them
OH! Sweets

Sweets! Sweets!
There’s also some more sweets
Stuffed in our smiling faces
OH! Sweets

Sweets are strangely~sweet
(A pun?!)
OH! Sweets

Cake! Cake!
There’s cake
Let’s have fun making it
OH! IT’S Cake

Cake! Cake!
There’s cake
Happiness we can carry
OH! IT’S Cake

This is gonna be cake!
(Another pun?)
OH! Cake

Get on! Get on! Get on! Get on!
Get on! Get on! Get on! Get on!
We are the best

Come on! Come on! Come on! Come on!
Come on! Come on! Come on! Come on!
Together with sweets! Together we’re strangely sweet!

Because sweets are always shy
rarely do they have a conversation but….
Sweets…a strange thing! Sweets…a strange thing!
Sweets…a strange thing!
Strangely sweet!

Sweets are always attractive
they seem tasty from the first meeting
Sweets…a strange thing! Sweets…a strange thing!
Sweets…a strange thing!
Strangely sweet!

Sweets! Sweets!
Amazing sweets
Making us full
OH! sweets

Sweets! Sweets!
Sweet sweets
We won’t lose to anyone
OH! sweets

Sweets are strangely~sweet
(Delicious!)
OH! Sweets

Do it! Do it! Do it! Do it!
Do it! Do it! Do it! Do it!
We are beautiful girls

Everybody! Everybody! Everybody! Everybody!
Everybody! Everybody! Everybody! Everybody!
Together with sweets! Together we’re strangely sweet!

Sweets are a little like a moody boyfriend
Many days the moisture is no good
Sweets…a strange thing! Sweets…a strange thing!
Sweets…a strange thing!
Strangely sweet!

Sweets and us want to be on good terms
How many times we want to meet again
Sweets…a strange thing! Sweets…a strange thing!
Sweets…a strange thing!
Strangely sweet!

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Minutemen | Project: Mersh

My long overdue mission of owning all of the Minutemen records that are not Double Nickels on the Dime begins with this, the cheapest one. When I set out on this mission, I realized why I did not already own these records: they are not readily available as dirt cheap used copies. (A large bulk of my collection.) It’s not hard to figure out why. People who buy Minutemen records tend to know what they are getting into, first, and once they have the records, they are actually good, second, and third, the band is consistently well-regarded over decades by fans and critics alike, so their records are non-embarrassing to own and therefore resistant to purge, even if you never listen to them.

This is not a very typical record for the band, it’s more of a proof-of-concept EP, which I like. In particular the opening track The Cheerleaders, because it illustrates perfectly why I hate the band Cake so much. Here they take all of the political message of their earlier work over a much simplified and easy to swallow version of their music. The band Cake would then take this kind of sound, with the semi-funky clean guitar and the trumpet, and remove the political message, which is not the worst music in the world by any means, but what’s the point? I guess the point is that is the kind of thing that could get mainstream radio play. Not this so much. It’s like they took all the notes that people had been telling them was “wrong” with their music and applied them literally. No one really wanted to say they didn’t agree with the message, or the overall package so they would pick apart the rough edges of the music. Remove all those rough edges and there should be nothing holding it back!

There’s some other songs—they cover Steppenwolf, they were a good band, it’s not entirely ironic. C’mon.

Tour-Spiel is my favorite track. The words alone, repeated as a mantra, could almost be any words without reading along. I heard “torch me out” the first several times. I dunno what it means, but it seems evocative of what happens when you jam econo too long. The jam turns literal(ly figurative) on More Spiel, which seemingly runs the concept off the rails, but is similar to the ‘Bonus beats’ tracks of the day, which also turn up on Watt’s collab with Sonic Youth The Whitey Album, but that’s something else entirely.%

buy mp3s on amazon 4 cheap or I guess it's regular price, there's only 6 songs

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Numerical Notation vs. Scientific Pitch Notation

I’ve been hoping to come up with something snappier than “Numerical Notation”, but it seems to be sticking so maybe it’s snappy enough. I think it’s unique enough to avoid confusion with other notation systems that may use numbers but not numbers exclusively. For example, Scientific Pitch Notation.

C0-C9

Scientific Pitch Notation is not to be confused with regular old Scientific Notation and it won’t be, so let’s stop worrying that. And don’t think I’ve got some beef with science over 4ths and 5ths. I’m not saying it’s magic, it’s just something very interesting that does not have an easy, intuitive explanation. If it did, every music teacher would just tell you the first day of class and every book on music would have in the first few pages, instead of just trudging you through all the stuff to memorize and hoping you don’t notice until it’s far too late for you to do anything else with your life but teach the exact same system and the whole cycle perpetuates.

Is it so bad? Maybe. Can you make through the second paragraph of this entry without your eyes glazing over? Because that’s a less subjective question. Giving numbers to each octave on the piano is a great idea, but there’s just this silliness with starting the octave on C I can’t get over. A is the first letter and the first key. Why not make more of those last high notes the freak notes? (What I’m trying to do here is make this system sound even less “scientific” than my own fudging of the term. Is it working? Works for me.)

Ah, and there’s the staff. SPN changes nothing about that. Trad bass and treble clefs. Can’t improve on that. Could improve on the tone of these posts, probably, but is that important, and can I end this sentence without making it another annoyingly rhetorical question—a habit that I can’t believe I’ve picked up as it annoys even me—I think I can. I’ve done it, yes. No, not that. Designed a new staff system. Well, I haven’t really done it, I’ve just thought about a lot. (Not a metaphor.) It’ll have to wait for another post. %

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