フィナルFriday~1月25日

I’m gonna continue these posts at the end of each month but keep them shorter.

Haven’t gotten much writing done, been working on backup and cleaning. Keeping up with Anki. Catching up on podcasts. This WTF with Dave Grohl is pretty great. That reminds me, the SubGenius Hour of Slack had a nice run this past year with the Ol’ Rev. Stang pretty much completely dropping character for several episodes, (#1350-1360) just talks about life. It’s back to the usual stuff now, which is still fun if you haven’t heard it a million times. Which also reminds me, I’ve gotten into repeating myself a bit at times. Like, am I doing a bit? There’s not even a joke in them. Rehearsed bits with no jokes, repeated to the same audience. That’s no good.

  • Followups

    In my end of the year post, I said Perfume didn’t put out an album, but Spending All My Time had two great B-sides (available on iTunes), which should count for something. (Remember FAKE IT was a b-side from 2010.) Also I didn’t mention the Kyary Pamyu Pamyu album but I don’t think it was that great as far as having new songs on it. (Her first EP was surprisingly solid for what seemed like a one-off joke act.) On the album, only Drinker was up to the standard, I thought:

    (Hopefully the fan that made this video was just taking a break from some kind of paid work.)

    It’s cheap on Amazon right now. Got most of the good songs on there. I’m not liking the newest stuff. This music is like a butterscotch sundae at it’s best; the aesthetics of it is like the syrup and the good songs are like some quality ice cream. If the songs are not all the way there it’s just like eating a bowl of wet sugar.

    Also I mentioned Koda Kumi’s Lay Down and Crytal Kay’s Delicious na Kinyoubi almost randomly. I realize this is an almost embarrassingly transparent confession of my fantasy of wanting to be dominated sexually by a Japanese woman who does not quite entirely know English, and then go bowling with and African-American/Korean woman who does. This is a relatively benign fantasy, but it’s not only racist, it’s waaay too specific. I’m not going to apologize for subconscious urges, but I can’t believe I was just putting that out there like that.

  • Instagram

    I’ve started getting comfortable with this thing. I like the square format, and I used to be uptight about the filters but you can get a good effect, depending. It feels like I can take pictures that feel more a drawing or painting I would do. I haven’t felt like that about digital photography before. I like how I can make it more about just the photo, Flickr I’m still gonna use but with all the metadata and everything it’s just like blogging, documentation.

  • Facebook

    Using fb to deal with people you could deal with in any other way is nuts. Great for keeping in touch with message board buddies and that’s about it. I have a page now (I renamed the Hakujin page) for whatever. It’s more like “the label” page, but I don’t even want to call it that anymore. I keep trying to bring everything under one…thing. And keep bringing it back to music (and related art.)

    I’m working on a new podcast too that won’t have anything to with any that stuff. I might make a another new general podcast after that. I was trying to put all those ideas together before and that did not work obviously.

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Since time immemorial, man has made introductory disclaimers to lists. Grand and authoritative, yet totally not a big deal, the introduction of a year end list discounting the importance, even complete futility of such lists, leading into the exact same type of list, is at this point in history, a refined art. But in making such a statement, I would be declaring my myself a master of such an art, which is something I would never want to be seen doing. Luckily no one reads these introductions.

  1. Best J-pop video

    Close enough.

  2. Best Albums I Did Not Buy

    Best album trailer. No real competition. Didn’t really listen to it. But am sure to be subjected to it plenty at terrible parties which are really, really terrible sober. But that’s my life. (Not really anymore.)

    • Swans – The Seer

      I am afraid of Swans. Some people say that but they have all the albums, like that guy who’s afraid of spiders but he has 6 aquariums of tarantulas in his bedroom. You know that guy? No you don’t. There’s no guy like that. The best you can do conquering a true fear is to not have a total breakdown in its presence. So I was able to deal with Swans in streaming form this year in limited amounts but that’s as good as it gets.

    • Namie Amuro – Uncontrolled

      This album I listened to a lot. I would have liked to buy it but can’t spend $40 on a CD right now. $30 has always been the upper limit. Of course, there’s a Namie page on iTunes right now but it only has a long bio that stops at 2005 and no music. That’s shitty. Even people that already like J-pop aren’t talking about stuff that is not available digitally somehow. (Also, everything is available digitally now…actually it’s been 10 years.) Most don’t even bother with piracy anymore; this CD-only stuff is becoming invisible. I sometimes justify the expense of J-CDs for the language learning value of having the official booklet and all but this album is mostly in English.

  3. There were some good J-pop videos for real tho, right?

    Yes, and Perfume ruled the year without putting an album together. And Kyary still rules when she’s not ripping off Tommy heavenly6. (Altho Tommy herself has gone off…that double album had some good stuff, but not really that memorable.) And there’s that group with only one song. You think Namie would have one in there but she never bothered to put out any full-length videos this year. Unless you’re supposed to buy them on DVD or something. That’s not happening. (She seems to not care all that much anymore in the videos anymore.) Can you blame her? Hardly anyone’s going to see them. She’s locked into a losing strategy.

    There was some other good stuff coming out of net-phobic Avex label: Koda Kumi’s Lay Down and Crystal Kay’s Delicious na Kinyoubi. Not especially great videos, but good songs, available, like the entire albums, on the internet. (For which Avex gets $0.) But neither album was close to Namie’s. (Available for $0 or $40, which will you choose?)

  4. Top 5 Albums of Significant Significance

    In the order I thought of them:

    Sigh, Gojira, Meshuggah, Melvins, Overkill and Killing Joke made really good albums but didn’t stand out as much as their last albums. And I just realized I bought the new Torche but didn’t listen to it yet. I bet I’m forgetting some other stuff.

  5. Top 5 Albums I bought on Bandcamp

    In the order I liked them:

  6. Best live shows

    So many great shows this year. I missed most of them. But I did manage to see some bands that I had missed in previous years so I feel like I’m caught up on the bare minimum of show attendance. The only way this changes in 2013 is if I can make more money or get a job as a roadie or something.

    • Motorhead/Megadeth@MSG

      So glad I saw Megadeth before Mustaine had that complete meltdown. Everything surrounding this show was more almost more enjoyable than the show itself tho, I had almost the worst seat at the back of the theater and the sound was terrible. But I got to check off several things off an imaginary list.

    • Ghost/Opeth/Mastodon@Electric Factory

      This place has great sound. Swore off going here for years, I’m dumb. It’s not bad in general, it’s not even that big a place. I think the last show I saw there before this I was actually psychically smaller, I had this memory of this large, impersonal space. Weird. Ghost and Opeth put on good tho subdued shows, and Mastodon was so great. Getting up front for that is like the most I’ve felt at home at a show in a while, even tho I had to take off my glasses and couldn’t barely even see anything except lasers most of the show. Sounded way better than any live recording I’ve heard of them or any video out there, vox too. (I could have just been like, enjoying myself.) Parking situation sucks tho.

    • Converge@Union Transfer

      This new venue is amazing. Those old Philly punk venues are going to seem more special for their use of odd rundown spaces (This space is also repurposed, but it seems new. They actually fixed it up.), but this place has a real sound system. Which is nice if you like music. Oh, Converge is amazing live, too.

    • Decibel Tour@The Troc

      I talked about this already. All these bands were great. They couldn’t really do the blood thing cause it’s Philly, which is fine by me. Behemoth I did not realize how much they use backing tracks, don’t think I mentioned that. They’re almost like an industrial band.

  7. Best list

    Personal fave: Magnetar SGR 1806-20

  8. Best Mix

    the_e | Japanese_e Dozen (Dirte_e Dozen Mix 08/12)

    J-rap has not done too well lately; even the big name singers and bands are getting crushed by the idol machine. This is great mix of ‘real’ hip-hop into dance stuff and then classic pop. There’s even a cover of an anime song. But all almost seamless, some amazing segues.

  9. Best comic-based pop music history series

    Semi-related: How sad is it that people don’t get that Gangnam Style is a modified version of the Apache dance which Will Smith did not invent? Teach your damn kids.

  10. Best video-based pop music history & meta-criticism

    Chris Ott, Shallow Rewards, obvs. He’s not into J-pop or Metal very much of course. There’s more to life tho, c’mon, vast audience.

So I got a lot of stuff straightened out now so I’m going to be reviewing a lot of records but it’s almost completely out of a nervous compulsion to keep following through with a project. I think I’ve learned some organizational skills I can apply to other stuff, maybe even to jobs that still exist in America. Haha, just kidding. Happy New Year, suckers! %

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フィナルFriday~12月28日

Maybe this should really be the final monthly post. I could do it it quarterly. I don’t really feel like commenting on events, I’ve stopped doing this on twitter mostly too. I’m just going to be staring in mute horror at my computer screen every so often.

Do I even need to talk about personal stuff? I don’t. I don’t have to do any of this of course. Seemed like a good idea at the time. Took the JLPT again. I did a lot better than last time I think but that thing is still brutal. Zoned out about half way through, like, “What am I doing taking this test? What am I doing with my liiiife?” One a those. I’m taking all that discussion over to the Lang-8 blog entirely in Japanese. Maybe join the site if you’re into that, it’s decent.

Also I had a table the Punk Rock Flea Market that went great. Rodney Anonymous almost bought my old drum machines. Then someone else did. Mostly sold comic books, Japanese tapes, stuff like that. (Had CDs too but didn’t sell many of those.) I will be doing that as often as possible in the future.

Networks

I gotta make a new frontpage with just links an like, I dunno, something. I gotta get back to working on other stuff. Yeah the facebook thing didn’t work, no one cares. If someone cares I’ll try to fix it.

Corrections & Follow-ups

Thinking about Obama. I like Obama. Whenever I see this dude on TV I seriously think, “wow, this guy is President”, but in a good way, not the George Bush way. I think the people that have the most issues with him should be the Progressives and Civil Liberty-types. Which would be where I would put myself. Crazy right-wing Republicans of course will hate almost everyone, but if you’re a moderate Republican, Obama should totally be your dude. Pretty much what he is, like Clinton. If that’s as good as we can get, I guess it’s gotta be good enough. Which maybe it could be if everybody stopped the bullshit. There’s just so much bullshit. Why can’t politics be more like the internet?

I’m just trying to keep doing my own thing, ok. Obama has this thing about him, I feel bad saying anything bad, like I’m going to run into him and it’s gonna be awkward. I feel like I could be at Melvins show and suddenly there’s a voice behind me like, “I hope they do Night Goat”. And it’s Obama. And I’m like, “O-o-o-b-b-ba-ma! W-what—uhm—oh, hey man, you like the Melvins?” And he’ll be like, “Everybody like Melvins.” And everyone turns and looks at me like, of course Obama like the Melvins, you fucking asshole. They’re not even surprised he’s there. It’s totally cool. Except for me. I had to question it. And it’s no random thing, Obama’s totally fucking with me, because of course he reads this blog. Nobody else does, I’m just some jerk who hates Obama, can barely even deal with his sudden omnipresence, which is totally normal. Fine. I can deal. Just me and Barry. Guy with his finger on The Button. Hangin’ out. On the blog, at a show, Punk Rock Flea Market…Taco Bell: He’s gonna be there. I accept it. Alright?

Also, I joined Spotify but I don’t pay for it and I don’t use it much. It’s about as cool as Last.fm when that had most things streaming, but you probably know how that went. It seems crazy to me to think that this new thing is going to be super-permanent and all-inclusive. I don’t get how people can ditch their record collections for it. Don’t you remember when you walked into like a Tower Records or an HMV superstore and the feeling that that was the biggest thing in the world that was completely indestructible? Maybe you don’t…that’s what it was like. Those stores made millions in profits and now they’re gone. Spotify makes no profit yet. (Eventually I think enough people will sign up for paid accounts with reoccurring billing, then gradually use it less as the novelty wears off. This could make them the new Columbia House.) It’s cool, but it doesn’t replace everything. It does replace my old Last.fm playlists, which I’ll redo when I get around to it.

It’s come to my attention that the song Rock ‘n’ Roll Kenchoushozaichi, recorded by Minimoni in 2003, is a cover. This makes my count off, but I’m not fixing it.

I made it sound like all the songs on that Damage Manual album sound the same. They don’t; just relative to the songs on a Pigface album. The compositions are varied but they’re made up of the same components. Get me?

I don’t think that Andes Manta record is totally live. The vocals have gotta be overdubbed.

I don’t know what I’m thinking sometimes.

There’s still an end of the year list coming up because I hate myself. %

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V/A | Beat Xmas

Like many internet mixtapes I review, since I listened to it the original link has gone down. But this one has been reposted to WFMU’s Rock ‘n’ Soul Ichiban blog. Seems I can’t be bothered to get around to things in a reasonably timely manner. It’s a personal problem I’m working on. How are you doing?

That’s great, I mean, too bad. Sorry about that. I’m a little distracted. Look, I know this might not be a great time, but I need to talk about this thing I listened to. It’s not important. Well, it’s important to me. Alright, maybe this specific internet mixtape is not that “important” to me even…I enjoyed it. Can’t I…share my enjoyment? It’s better than posting pictures of everything I stuff in my stupid face. Oh stop. No one told you to post those pictures. They did? For real? Well, those people are no friends. Forget about them.

What’s Beat? Is this mix “Beat”? I think it’s “Beat”…but but not Beat. Dig? It’s a fun time, but don’t get any big ideas. There’s maybe a dozen people who were The Beats, then there’s the Jazz guys, then there’s the beatniks (the fans), then there’s not-beatniks, then there’s the not-really-having-anything-to-do-with-anything-just-happened-to-be-theres. And the in-betweeners.

I was not there. I’m 34. But I used to really be obsessed with ‘The Beat Generation’. Still am somewhat, but now I think it’s a mistake to think of it like that. It’s like calling the 90s ‘The Grunge Generation’. It’s just not accurate. This mix is just some holiday-themed fun, but why not completely tear it apart into non-fun atoms? Because there’s better stuff to do, relax. I’m not going that far with it. But we can separate who’s who here.

  • Jack Kerouc – ultimate Beat, obvs.
  • Lloyd Glenn – legit jazz guy
  • Tony Rodelle Larson – Gettin’ suspect. No info on this guy, seems to be a one-off novelty record, but there’s not really jokes in it. Maybe a failed attempt at a crossover career. We get both sides of his only single.
  • Lowell Fulson – More of a Blues guy than a Jazz guy
  • Jim Backus & Daws Butler – Mr. Magoo vs. Fake Beat, sort of. Funny, sort of.
  • Pony Poindexder – Jazz, man. Altho, this is on the far edge of the Beat Era, well into the 60s.
  • Jimmy Bowman – Beat version of Night Before Christmas. Another one-off, could have been a minor jazz guy.
  • The Mello Moods – Borderline. The Christmas Song is pretty square, but they do their best to jazz it up. It’s not really a Jazz group, it’s transitional into into R&B/Rock.
  • Miles Davis & Bob Dorough – I imagine Miles Davis smacking the shit out of anyone calling him a beatnik. Hard to imagine him sharing breathing space with this vocalist, but it happened.
  • Hank Crawford – Jazz dude, transitioning into Soul.
  • Oscar McLollie – Pretty much early Rock with some Beat lingo.
  • Johnny Guarnieri with Slam Stewart – Real jazzbos, joke song. Fun times.
  • The Charlie Parker Quintet – Bird, man.
  • Babs Gonzales – This guy was a full-time jazz vocalist, no joke. But his style sometimes crosses into of self-parody. Easy to confuse where the line is. Also he apparently considered legit as a poet.
  • Marlowe Morris – Jazz-soul…this has to be way into the 60s. Kerouac never heard this stuff.
  • Patsy Raye & the Beatniks – This is one knocked out crazy chick. The musicians sound more like part of the lounge scene, a one-off group trying to cash in towards the end of the era. Kinda cool tho.
  • The Ronnie Kole Trio – Standard jazz group.
  • William S. Burroughs – Burroughs, man. Possibly at his least nihilistic.
  • Manfred Mann – Huh?
  • The Phil Moore Four – legit jazz dude, kinda pushin’ it.
  • Lord Buckley – legit non-jazz non-beatnik, his take on Scrooge is more enjoyable before you realize it’s straight-up minstrelsy. So hopefully you’ve listened to the whole thing before reading this. Pretty great.
  • Edd “Kookie” Byrnes – Man, was he beat. NOPE. It’s cool tho, man. Is it? Cool it man, it’s the past.

I went over this a few times (totally Un-Beat), like, “yeah, this guy’s a beatnik, that guy is, real beatnik here, fake beatnik there”, whatever. But NONE of these cats (can I say “cats”?) are beatninks. It’s just another word for hipster. Despite how anyone else uses those words I think there’s a clear and non-necessarily derogatory definition: it’s the type of person that lives the lifestyle of an artist without actually creating anything. Anybody that is creating art, whatever you call them…they made something. (And I don’t think fashion counts as a thing, unless you’re making the clothes from scratch.) Oh, but I’ve gone off on a thing. I’ll let you get back to whatever. Hippy Holidays and such.

Feels good! %

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Tricky | Pre-Millennium Tension

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I thought I’d do a list for 1999 before the Mayan “apocalypse”. Isn’t a fake end of the world the ultimate in 90’s nostalgia? This was the first record I thought of including, but I soon realized (not soon enough, I spent at least an hour on the thing) two things: 1). This record came out in 19-fucking-96. It was in heavy rotation for like 3 years. Or was it? When did I buy it? I don’t remember. 2.) This list fills in way too many blanks. It fills in all of the blanks. There’s the question of why I’m doing it or if it should be done, and there’s the question of if I have the correct answers for the questions. Right?

I think I got it through Columbia House. It might have been after seeing the Christiansands video (which, for real is not on youtube?), but I also just bought a lot stuff back then because I liked the cover or the name. I know I got it before Maxinquaye, I was not hip to that. Everybody seems to like that one best, but this is the one for me. It might not be as good musically—lyrics that are barely lyrics, songs that are barely songs—but it’s a solid statement. Half of the booklet is literally pictures of nothing. That’s so cool. C’mon. That’s a statement. You make that into a pdf, it’s bullshit. You gotta get fingerprints you can’t wipe off onto your frantic search for answers, more information. Why was this record made like this? You can just look it up now. I like that he’s fighting his own nature here and his intention fails completely. “Trip-hop” fits this guy perfectly.

This CD could be on repeat for days in those years. Really set a mood. Seems hard to recreate now. Of course, I was really depressed in those days. Clinically; there was no reason for it. And I was on a lot of drugs that kept me generally fuzzy. Thus the futility of specific details of this era. I was into a lot of music that was heavily weed-influenced because it fit with my general demeanor tho I hardly touched the stuff.

I dunno how much you can talk about this music. I remember around this time getting disgusted with music writing, at least the way people had started writing about this kind of music. It’s just a mood, you kinda kill it but talking it to death. I still don’t know what the guy in Ghetto Youth is talking about and it just does not matter. It’s just like a slice of reality you can relive.

New Year’s 2000 wasn’t any kind of Armageddon, but that whole year was a turning point.

There’s a before and after, no going back.

Buy it on CD. %

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