{"id":4678,"date":"2021-07-26T04:37:52","date_gmt":"2021-07-26T08:37:52","guid":{"rendered":"https:\/\/www.jimhaku.com\/blog\/?p=4678"},"modified":"2021-07-26T05:10:17","modified_gmt":"2021-07-26T09:10:17","slug":"gamelan-sonic-youth","status":"publish","type":"post","link":"https:\/\/www.jimhaku.com\/blog\/gamelan-sonic-youth\/","title":{"rendered":"Gamelan &#038; Sonic Youth"},"content":{"rendered":"\n<p>In many ancient traditions and contemporary settings, music is not written out for the performance. It&#8217;s worked out among the musicians, maybe by a lead composer type all at once, or by the group over a period of time. The piece or song is memorized and maybe at some point has a life outside that group of musicians, so it becomes like an oral tradition of storytelling.<\/p>\n\n\n\n<p>So, let&#8217;s say you wanna write that down. Seems reasonable that you&#8217;d try to do this with the tools you have, which is staff notation invented for western orchestral music. But unless the musicians in question were also trained in this method <em>and<\/em> set out to follow the rules as such, you are going to end up with a <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Slendro\" target=\"_blank\">crude approximation<\/a>. Two examples I&#8217;ve been really interested in over the years is traditional Balinese Gamelan and the 80s-90s work of punk\/art rock group Sonic Youth.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/nGCSrC8RN6c?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p>Worth noting that Gamelan music has a native written form (<a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gamelan_notation\" target=\"_blank\">a few in fact<\/a>), and that the harmonic ideas of SY have roots in the music of avant garde composer <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Glenn_Branca\" target=\"_blank\">Glenn Branca<\/a>, who has his own presumably meticulous system. But in practice, both of these types are just winging it. In addition to not adhering to a preexisting written standard, they also both are using either bespoke or customized instruments and tunings. (Really hate the use of &#8220;bespoke&#8221; to mean &#8220;custom&#8221; but it fits here.) A Gamelan orchestra\u2014all the gongs and metallophones\u2014are made as a piece, tuned to itself. Each player isn&#8217;t bringing the <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Reyong\" target=\"_blank\">reyong<\/a> or <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Gangsa\" target=\"_blank\">gangsa<\/a> they are leasing from Guitar Center, these things only exist together as one thing and can&#8217;t be individually adjusted. If one were lost or broken, you can&#8217;t even swap one out from another group. Likewise, when <a rel=\"noreferrer noopener\" href=\"http:\/\/www.sonicyouth.com\/mustang\/eq\/stolen.html\" target=\"_blank\">SY&#8217;s van was stolen in 1999<\/a>, the sound of the band was heavily impacted. They were touring with 24 heavily customized guitars; almost a different set for each song. All of the older songs from that point had to be reworked and relearned. <\/p>\n\n\n\n<p><a rel=\"noreferrer noopener\" href=\"http:\/\/www.sonicyouth.com\/mustang\/tab\/tuning.html\" target=\"_blank\">Here&#8217;s the most comprehensive list of SY tunings<\/a>, which, despite appearing to be a fan site in design and guesswork is in fact their official site. The band themselves apparently did not keep exact notes and any 3rd party&#8217;s detective could be just as good. I have even seen versions that note differences in the unison tunings (i.e. &#8220;second D slightly flatter&#8221;) and this is where a decimal system of tuning would really be helpful.<\/p>\n\n\n\n<p>It&#8217;s these slight differences that create a sound totally different than what can be achieved through normal western intonation. The shimmering textures most&#8230;notable&#8230;here are created very deliberately (tho not always exactly or uniformly) by the dissonances that are reduced or edited out completely of regular music.<\/p>\n\n\n\n<p>The <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Piano_key_frequencies\" target=\"_blank\">very complex numbers<\/a> that you can wind up with when referring to a note by it&#8217;s frequency in Hz can be replaced with a simple &#8220;\ud835\udc65.\ud835\udc65\ud835\udc65&#8221; by using the 0-11 formula and then the deviation .01-.99 in <a rel=\"noreferrer noopener\" href=\"https:\/\/en.wikipedia.org\/wiki\/Cent_(music)\" target=\"_blank\">cents<\/a>, ultimately leading one to a very snappy conclusion.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/W5TEfMUCX0w?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>In many ancient traditions and contemporary settings, music is not written out for the performance. It&#8217;s worked out among the musicians, maybe by a lead composer type all at once, or by the group over a period of time. The piece or song is memorized and maybe at some point has a life outside that [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[599],"tags":[993,989,990,635,636,992,988,991],"class_list":["post-4678","post","type-post","status-publish","format-standard","hentry","category-a0","tag-brick-wall","tag-gamelan","tag-glenn-branca","tag-music-theory","tag-notation","tag-pet-peeves","tag-sonic-youth","tag-tuning"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p1m3oy-1ds","_links":{"self":[{"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/posts\/4678","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/comments?post=4678"}],"version-history":[{"count":3,"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/posts\/4678\/revisions"}],"predecessor-version":[{"id":4683,"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/posts\/4678\/revisions\/4683"}],"wp:attachment":[{"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/media?parent=4678"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/categories?post=4678"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jimhaku.com\/blog\/wp-json\/wp\/v2\/tags?post=4678"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}